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SOAS Moodle - DEV
Curating Asian Art (Online) A24/25
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Module Schedule - updated on 4 February 2025
Zoom link for seminars
Discussion Forum
Useful Links
Analysing and Exploring the Arts moodle page
SOAS-Alphawood Asian Art moodle page
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Zoom link for tutorial (David)
Zoom link for tutorials (Natasha)
Practical Tips & Support
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Signing in to Zoom using your SOAS account
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Citations, References and Bibliographies
Managing your reading
Welcome Materials
Introduction to Moodle
Introduction to Panopto
Library Resources Induction - Mr Burzine Waghmar
SOAS Code of Conduct
Pre-Course Reading
Pre-Course Reading List
Ting, K., 2020. Interstitial Identities. Worlds in a Museum: Exploring Contemporary Museology, p.151.
A. Fuentes (2018), ‘There is no West: Language and Geography in Museum Practice’
D. Francis and A. Al Mulla, ‘Curating Across Cultures’
‘Introduction’ in Jenny Norton-Wright, Curating Islamic Art Worldwide: From Malacca to Manchester (Palgrave, 2019), pp. 1-13.
Hans Ulrich Obrist, Ways of Curating (Penguin, 2015)
Week 1
Week 1 Tutorials
Week 1 Discussion Forum
Weekly Introduction
Lecture Slides: Introduction to Histories of Curating History of the Museum - Natasha Morris
Seminar Reading
Week 1 Seminar Prompts
Eva-Maria Troelenberg, ‘Regarding the exhibition: the Munich exhibition Masterpieces of Muhammadan Art (1910) and its scholarly position’
Francis, D., [In-Press 2025]. Tracing the Lineage of Linear Exhibition Narratives in Chinese Museology, in The Museum in Asia (ed. Yunci Cai). Leicester Readers in Museum Studies. London and New York: Routledge.
Further Reading
David J. Roxburgh, (2010). ‘Staging the Orient – A Historical Overview from the late 1800s to Today’, in Dercon, Krempel, Shalem (eds.), The Future of Tradition - The Tradition of Future, pp. 17-25.
Sonya S. Lee (2016). Introduction: Ideas of Asia in the Museum, Journal of the History of Collections, Volume 28, Issue 3, pp. 359–366
Bennett, Tony (1998). "Pedagogic Objects, Clean Eyes, and Popular Instruction: On Sensory Regimes and Museum Didactics." Configurations, vol. 6 no. 3, pp. 345-371
Allysa B. Peyton & Katherine Anne Paul (2019) Arts of South Asia: Cultures of Collecting, Introduction, pp. 1-11)
Extended Reading
The iii Museum, The Mohammed Afkhami Foundation
Seminar Recordings
Lecture 1
Lecture Slides: Histories of the Museum (Part 1): East and Southeast Asian Museologies - Dr David Francis
Lecture 2
Lecture Slides: Histories of the Museum (Part 2): The Islamic World - Dr Natasha Morris
Lecture 3
Lecture Slides: Curating South Asian Art in the VA Museum - Mr Nick Barnard
Week 2
Week 2 Tutorials
Week 2 Discussion Forum
Weekly Introduction
Lecture Slides: Introduction to Colonial Taxonomies and Their Legacies - Dr David Francis
Seminar Reading
Week 2 Seminar Prompts
Juan, Maria Cristina. (2025) "Re-animating the Archive: the Mapping Philippine Material Culture Project as a Case Study" in Lessons Learned? Transcultural Positions in Curating and Pedagogy
Christen, K. & Anderson, J. (2019) "Toward slow archives". Arch Sci 19, 87–116.
Further Reading
Thompson, E.C. (2012) The world beyond the nation in Southeast Asian museums. SOJOURN: Journal of Social Issues in Southeast Asia, 27(1), pp.54-83.
Wang, S. (2021) Museum coloniality: displaying Asian art in the whitened context. International Journal of Cultural Policy, 27(6), pp.720-737.
Bloembergen, M., Henley, D.E.F. and Wickramisinghe, N. (2023) The Problem of Transregional Framing in Asian History: Charmed Knowledge Networks and Moral Geographies of “Greater India”. In Monsoon Asia. A reader on South and Southeast Asia.
Aso, N. (2013) Public properties: museums in imperial Japan. Chapter: Stating the public, pp. 13-61
Extended Reading
Avalon Fotheringham (2018) ‘Cataloguing the South Asian Textile Collection’, V&A Blog
“Curating Repatriation.” Mapping Philippine Material Culture. Accessed November 29, 2024.
Seminar Recordings
Lecture 1
Lecture Slides: Curating Korea - Dr Jess Son
Lecture 2
Lecture 3
Lecture Slides: Mapping Philippine Material Culture - Dr Cristina Martinez-Juan
Week 3
Week 3 Tutorials
Week 3 Discussion Forum
Weekly Introduction
Introduction to Conservation and Collection Care Natasha Morris
Seminar Reading
Seminar Reading Prompts
Ayesha Fuentes, ‘Damage, dirt, and change over time: Documenting conditions at the University of Cambridge Museum of Archaeology and Anthropology’, Journal of the Institute of Conservation (UK) 46, no.2, 127-140.
Smith, Ashley "1. The ethics of conservation" Care of Collections (2005)
Cannon-Brookes, Peter "5. Role of the scholar curator" Care of Collections (2005)
Bradley, Susan, "6. Do objects have a finite life" Care of Collections (2005)
Further Reading
Reedy, Chandra (1991) ‘The Opening of a Consecrated Tibetan Bronze with Interior Contents: Scholarly, Conservation, and Ethic Considerations’ in Journal of the American Institute of Conservation, 30 (1), pp 13-34.
Hall, Annie (2004) ‘A Case Study on the Ethical Considerations for an Intervention upon a Tibetan Religious Sculpture’, in The Conservator 28, pp 66-73.
Reedy, Chandra (1992) ‘Religious and Ethical issues in the Study and Conservation of Tibetan Sculpture’, in Journal of the American Institute for Conservation, 31/1.
Extended Reading
Cornelius, Keridwen. “Reconsidering Fragility in Museums—and the World.” SAPIENS, 23 Feb. 2023, www.sapiens.org/archaeology/museums-climate-fragility/.
British Library Collection Care Blog: East Asia
British Library Collection Care Blog: Southeast Asia
Seminar Recording
Seminar Slides Week 3
Lecture 1
Conservation of Islamic Manuscripts Dr Kristine Rose-Beers
Lecture 2
Lecture 3
Conservation and Tibetan Material Dr Ayesha Fuentes
Week 4
Week 4 Tutorials
Week 4 Discussion Forum
Weekly Introduction
Introduction to Provenance and Collecting (mini lecture) Dr David Francis
Seminar Reading
Tythacott, Louise, Classifying China - Shifting Interpretations of Buddhist Bronzes in Liverpool Museum, 1867–1997, in Hill, K. (ed) Museums and Biographies - Stories, Objects, Identities, Boydell and Brewer Ltd
Further Reading
‘Introduction’ in Milosch, Jane and Nick Pearce (2019) Collecting and Provenance - A Multidisciplinary Approach, Rowman Littlefield Publishers pp. Xv -xxi
‘Introduction’ in Gail Feigenbaum, Inge Jackson Reist (eds.) (2019) Provenance: An Alternative History of Art, pp. 1-6
Hilgert, M., 2016. ‘Definitely stolen?': Why there is no alternative to provenance research in archaeological museums. In Museums, ethics and cultural heritage (pp. 210-217). Routledge.
Folan, L., 2019. Wisdom of the Goddess: Uncovering the Provenance of a Twelfth-Century Indian Sculpture at the National Gallery of Australia. Collections, 15(1), pp.5-41.
Extended Reading
Provenance Guide
Provenance Research Manual
Collecting and Provenance Research, The Getty Research Institute
Getting Started with Provenance Research
Provenance Research
Collecting and Provenance Research: Introduction
Mooren, J., Stutje, K. and van Vree, F., 2022. Clues: Research into provenance history and significance of cultural objects and collections acquired in colonial situations.
The Stork that Captivated First Lady Jacqueline Kennedy
Seminar Recordings
Lecture 1
Tracing the Biographies of the ‘Putuo Five’ Prof Louise Tythacott
Lecture 2
Provenance Research in Islamic Art Ms Chiara de Nicolais
Lecture 3
Provenance Research into Colonial Collections Dr Klaas Stutje
Week 5
Week 5 Tutorials
Week 5 Discussion Forum
Weekly Introduction
Introduction to Interpretation Access and Inclusion Dr Natasha Morris
Seminar Reading
Seminar Reading Prompts
Chung, C., 2020. Time, Culture and Identity: Exploring Horological Collections with UK-China Museum Audiences. Chinese Annals of History of Science and Technology, 4, p.82.
Classen, C. and Howes, D. (2016) ’The Museum as Sensescape’ in Sensible Objects - Colonialism, Museums and Material Culture. 199-223
Further Reading
Morris, N. ‘Haptic Games’ The Display of Qajar Playing Cards in the British Museum, Museum History Journal, 2024
Whitehead, C., 2024. Analysing Museum Display: Theory and Method. Taylor & Francis. Chapter 4: Text, narrative, exposure (pp. 81-106)
Gould, W., 2024. The South Asia Gallery, Manchester Museum. Contemporary South Asia, 32(1), pp.101-108.
Cohen, M.I., 2017. Wayang in Museums The reverse repatriation of javanese puppets. Theatre Journal, 69(3), pp.361-381.
Extended Reading
Tasha Marks - Interventions with Food
That Breathed
Writing Gallery Text at the V&A - A Ten Point Guide
Coxall, Helen: Checklist of points for legible museum texts
Philippe Parreno, Dominique Gonzalez-Foerster, Hans Ulrich Obrist - A stroll through a fun palace
Seminar Recordings
Week 5 Seminar Slides
Lecture 1
Interpretating Zimingzhong Dr David Francis
Lecture 2
Lecture 3
Haptic Games: display, touch and ephemera in the British Museum - Dr Natasha Morris
Week 7
Week 7 Tutorials
Week 7 Discussion Forum
Weekly Introduction
Introduction to Exhibitions and Displays Dr David Francis
Seminar Reading
Seminar Reading Prompts
Green, A., 2024. Burma to Myanmar: A Recent Exhibition at the British Museum, London (2 November 2023–11 February 2024). The Journal of the Siam Society, 112(1), pp.227-236.
Tan, H., 2022. The Shwedagon Pagoda Museum, Yangon
Further Reading
Morris. N, Epic Iran, Victoria and Albert Museum, with the Iran Heritage Foundation in Association with the Sarikhani Collection, London, May 29–September 12, 2021’, International Journal of Islamic Architecture, Volume 12, Issue 1, Jan 2023, p. 251–254.
Chang, T.Z. and Gao, S. 2018. Yaji Garden: Art under the sky. In: The Future of Museum and Gallery Design: Purpose, Process, Perception. MacLeod, S., Austin, T., Hale, J. and Ho, H.K.O. eds. London: Routledge, pp. 340–359.
Mukherji, P.D., 2020. Global Art History and its Asymmetries through Two Exhibitions: From The Global Contemporary to India and the World. Art History in a Global Context: Methods, Themes, and Approaches, pp.87-103.
Nancy Lin, 5,000 Years of Korean Art: Exhibitions abroad as cultural diplomacy, Journal of the History of Collections, Volume 28, Issue 3, November 2016, Pages 383–400.
Seminar Recordings
Lecture 1
Lecture 2
Temple Museums in Myanmar Dr Heidi Tan
Seminar Recording
Lecture 3
Kimono From Kyoto to Catwalk Ms Anna Jackson
Week 8
Week 8 Tutorials
Week 8 Discussion Forum
Weekly Introduction
Introduction to Community Engagement and Co-Curation Dr Natasha Morris
Seminar Reading
Seminar Reading Prompts
Kelsang, Thupten. 2017. Object Lessons from Tibet & the Himalayas. HIMALAYA 37(2).
Jansari, S. 2017. Redisplay of the Jaina Collections in the Hotung Gallery.
Further Reading
Bryony Onciul, ‘Community on Display’ in Museums, Heritage and Indigenous Voice Decolonizing Engagement, pp. 199 - 219
Tythacott, Louise, ‘Transforming Chemrey Museum: Monastic Curating and Co-Curating in a Tibetan Buddhist Monastery in Ladakh’ in Yunci Cai (ed) The Museum in Asia, Routledge: Leicester Readers in Museum Studies (2025), pp. 115 - 129.
N. Morris, ‘Hudood: On Artistic Trespass, Liberty, and the Bondage of Identity’ in Hudood: Rethinking Boundaries (Kaph, 2024), pp. 14-19.
Christian Luczanits and Louise Tythacott, ’Monastery and Museum in Ladakh and Mustang’ in Luczanits and Tythacott (eds) Tibetan Buddhist Monastery Collections and Museums, pp 25-85 (2024)
Extended Reading
Active Participation: Museums Empowering the Community
Hudood: Rethinking Boundaries - The Making of an Exhibition
Seminar Recording
Lecture 1
Co-Curating Chemrey Monastery Museum, Ladakh Prof Louise Tythacott
Lecture 2
Lecture 3
Reanimating Tibetan Heritage Dr Thupten Kelsang
Lecture 4
Hudood Ms Chloe-Kate Abel
Week 9
Week 9 Tutorials
Week 9 Discussion Forum
Seminar Reading
Murphy SA. Restitution and repatriation as an opportunity, not a loss: some reflections on recent Southeast Asian cases. Antiquity. Published online 2024:1-11. https://doi.org/10.15184/aqy.2024.129
Tythacott, Louise and Panggah Ardiyansyah, ‘Collecting and Returning Southeast Asia’s Past’ in Tythacott, Louise and Ardiyansyah, Panggah (eds.), Returning Southeast Asia's Past: Objects, Museums, and Restitution, NUS Press (2021), pp 1-37
Further Reading
Klaas Stutje and Jona Mooren, ‘Clues of Provenance: Tracing Colonialism and Imperialism through Museum Objects’, IIAS The Newsletter 92 (Summer 2022).
Hauser-Schäublin, B., 2016. Looted, trafficked, donated and returned: The twisted tracks of Cambodian antiquities. In Cultural Property and Contested Ownership (pp. 64-82). Routledge.
Chapter 12, ‘Looting’ in Hicks, Dan (2020), The Brutish Museums: The Benin Bronzes, Colonial Violence and Cultural Restitution, Pluto Press.
Gupta, V.K., 2019. Retrieval of Indian Antiquities: Issues and Challenges. Art Antiquity & L., 24, p.101.
Extended Reading
The Expert Centre Restitution (ECR)
Seminar Recording
Lecture 1
Paradigms of Restitution of Southeast Asian Art Prof Ashley Thompson
Lecture 2
Histories of Collecting and Restitution in Southeast Asia - Dr Panggah Ardiyansyah
Lecture 3
Restitution and display Dr Stephen Murphy
Week 10
Week 10 Tutorials
Week 10 Discussion Forum
Weekly Introduction
Introduction to Curating and Collecting in Commercial Contexts - Natasha Morris
Seminar Reading
Catalogue Essays in: Su Shi, Wood and Rock Christie's Hong Kong, 26 November 2018.
Bommert, B. On the Relevance and Potential of Auction Catalogues as Sources for Art Market Research on Asian Art. Journal for Art Market Studies, 2(3). 2018.
Further Reading
Introduction’ in Lizette Gradén, Tom O'Dell, Hip Heritage and Museum Practices in Contemporary Hybrid Markets (Routledge 2023)
‘Concluding Thoughts’ in Panos Kompatsiaris, Curation in the Age of Platform Capitalism: The Value of Selection, Narration, and Expertise in New Media Cultures (Taylor and Francis, 2024)
David Balzer, Curationism: How Curating Took Over the Art World and Everything Else (Coach House Books, 2014)
Tythacott, Louise, ‘Exhibiting and Auctioning Yuanmingyuan ("Summer Palace") Loot in 1860s and 1870s London: The Elgin and Negroni Collections', in Journal for Art Market Studies, Vol 2, No 3 (2018), pp 1-15
Vimalin Rujivacharakul - China and China: An Introduction to Materiality and a History of Collecting
Extended Reading
Sotheby's - Arts of the Islamic World and India
Seminar Recording
Lecture 1
The Anatomy of a ‘Masterpiece’ Sale Su Shi’s Wood and Rock - Dr Malcolm McNeill
Lecture 2
Loot from the Yuanmingyuan ‘Summer Palace’ in the Art Market Prof Louise Tythacott
Lecture 3
Hong Kong Collecting Histories and Chinese Art Curation Dr Ivy Chan
Week 11
Week 11 Tutorials
Week 11 Discussion Forum
Weekly Introduction
Introduction to Futures of Curation - Dr David Francis
Seminar Reading
Kreps, C., 2019. “Museum Frictions” in Colonial and Postcolonial Indonesia., in, Museums and Anthropology in the Age of Engagement. Routledge.
Grant, C., 2022. Documenting an endangered Cambodian musical tradition: Unexpected findings on the provenance of the British Museum’s “Asset 1380796001”. The International Journal of Intangible Heritage, 17, pp.124-133.
Further Reading
Harrison, R. and Sterling, C., 2023. The Speculative and the Profane: Reimagining Heritage and Museums for Climate Action. In Rethinking Heritage in Precarious Times (pp. 93-110). Routledge.
Hsu, Hsiao-Te. 2020. A case study on digital technology, AI, and participation at the National Palace Museum, in, Black, G. ed., 2020. Museums and the challenge of change: Old institutions in a new world. Routledge.
Labrador, A.M.T.P., 2021. The Empty Museum: A Southeast Asian Perspective. Museum International, 73(3-4), pp.180-189.
Karen Exell (2017) Utopian Ideals, Unknowable Futures, and the Art Museum in the Arabian Peninsula, Journal of Arabian Studies, 7:sup1, 49-64.
Extended Reading
McGhie, H., 2023. Museums for Better Futures.
Seminar Recording
Lecture 1
Grassroots approaches to digitally curating Nuosu-Yi material culture between Southwest China and Europe - Dr David Francis
Lecture 2
Intercultural Curation and Engaging with Museological Diversity - Prof Christina Kreps
Lecture 3
Stories of Migration - PositiveNegatives Dr Benjamin Worku-Dix
Formative Discussion Forum for Acquisition Proposal
Forum for Acquisition Proposal
Groups for Forum Exercise
Discussion Forum for Objects in Conversation Exercise
Groups and Schedule for Contribution
Forum for Objects in Discussion Exercise
Assignment Instructions
AS1 - Exhibition Press Release
AS2 - Essay Submission
AS3 - Acquisition Proposal
Assignment Examples
AS1 Press Release Example
AS1 Press Release Example 2
AS1 Press Release Example 3
AS2 Example with grade and feedback
AS3 - British Museum acquisition example
AS3 - British Museum acquisition principles
AS3 Acquisition Template
Relevant Policies
SOAS Postgraduate Marking Criteria
Academic Misconduct Policy 2023/2024
Mitigating Circumstances Policy
Assignment Submissions
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Curating Asian Art (Online) A24/25
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15PARC048-A24/25 Curating Asian Art (Online) A24/25
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